The agony and the ecstacy: An expat couple’s journey through an historic district house renovation project

Oct 13, 2014 | 0 comments

Like other expatriates who take on a major house renovation project in their adopted country, Dorie Deal and Bob Hoerster readily admit that they didn’t know what they were getting into four years ago when they purchased a large house in Cuenca’s historic district.

“I loved the house the first time I saw it,” said Dorie, who had looked at several other historic properties on her first trip to Cuenca in 2010. “I knew that it would be a big job to restore it. I just didn’t know how big.”

The choice of the house was Dorie’s alone, since Bob was still back in Texas running his cattle ranch. “I left it up to her but I have to tell you that I asked her several times during the chl 1rehab if she had lost her mind.”

The 150-year-old house on Calle Juan Jaramillo is ideally situated in Cuenca’s historic district, a UNESCO World Heritage Site. Only three blocks from the city’s iconic cathedral and Parque Calderon, the city’s central plaza, it is in an area of theaters, museums and restaurants. It is only two blocks from the historic Rio Tomebamba and five blocks from Cuenca’s new light rail system due to be completed in early 2016.

“You couldn’t pick a better spot,” said Dorie, a former assistant art gallery director in Santa Fe, New Mexico, before her move to Cuenca. “You are literally minutes away from the best the city has to offer.”

The choice of Cuenca was well thought through by Dorie and Bob before they decided to make a real estate investment. “We had been reading about it for years and once we finally visited and had boots on the ground, we found that everything we had heard was true,” Dorie said. “The city has lots of charm and sophistication. Most important, it had the feel of a chl 2place I wanted to live.”

Besides its location, Dorie was captivated by the house’s history. “Of course, any historic home has stories to tell but this one told one that especially appealed to me,” she said.

The house was once home to Cuenca’s first Catholic archbishop, Manuel de Jesús Abad Serrano, and Dorie felt the old cleric’s spirit added value to the property. “The more research I did and the more I talked to neighbors and learned about the archbishop, the better I felt about the house,” she says. “The archbishop was truly beloved not only in the church and city, but in the neighborhood too. Everyone knew him for his kindness and encouragement and he was especially fond of the children, handing out small gifts and candy.”

The vision and the messy details

The grand townhouse you see today belies the labor-intensive, and often agonizing, process required to achieve it. “It’s almost impossible to describe what we’ve been through to reach this point,” Dorie said. “The house was really a mess and needed a total make-over. I can say it was a labor of love, and that’s true, but I also havechl 3 to say that it was often a love – hate relationship.”

The process that began in April, 2010, included a large cast of characters, including three architect, a contractor, five maestros and, at one time, 21 full-time employees. To meet their expectations, Dorie and Bob were forced to replace a number of the key players on the construction team. “We wanted the job done to our expectations, which were high, and to do this we had to have people who understood that,” Bob says. “We wanted the finished house to be stunning.”

During the course of reconstruction, more than 300 dump truck-loads of debris were removed from the house. The roof, walls and floors were rebuilt and replaced, leaving tons of old material to be carted off to the city landfill or to be recycled by the construction team.

chl 4Replacement parts and materials were often hard to find or required hand-made duplicates, a situation that led to a number of construction delays. Adding to scheduling considerations was the fact that historic district inspectors, whose job it is to protect Cuenca’s patrimony, were required to sign off on changes and replacement materials.

In the chaos of reconstruction, a number of pleasant discoveries were made, including the original marble flooring buried under layers of newer floors, and open beam ceilings, hidden by drop-ceilings added in the 1960s. The inspectors were also pleased with the discoveries since they meant that the house could return to its original condition.

During construction, Dorie says she and Bob were climbing over four and five foot piles of debris awaiting dump truck extraction and walking “gang planks” across dismantled floors, “trying hard not to look down.”

As a gesture of respect to the archbishop, one of the first decisions Dorie made was to restore his third-floor chapel. “It was the center of his spiritual life and I thought it deserved to be preserved,” she said.

A finished masterpiece

As a finished work, Dorie’s, Bob’s –and the archbishop’s — home is truly one of Cuenca’s most magnificent residences.

chl 5At 13,500 sq. ft. the house features three atrium fountains, a state-of-the-art hancienda-style kitchen with views to the private back garden, eight remote-controlled gas fireplaces, three balconies, two wet bars, three luxury suites, two of them with spa baths with their own steam generators, a rooftop terrace with views of Cuenca’s domed cathedral, two offices with libraries, and servants quarters. And then there’s the archbishop’s chapel, lovingly restored with period sculptures and artwork.

The visible restoration work is matched by what you don’t see, including all new plumbing and wiring and new water purification and heating systems.

According to Dorie and Bob, the restoration features a level of craftsmanship no longer commonly available in North America or Europe. Hand-made wooden doors and windows, constructed to detailed specifications, as well as Old World metalwork, are among the highlights. Others included three fountains featuring stonework from local quarries, 21 handcrafted chandeliers as well as 40 light sconces.

Bob still questions Dorie about what she saw in the old house. Dorie blames it on “blind enthusiasm” but says it was that enthusiasm that was ultimately responsible for the finished masterpiece on Calle Jaramillo.

Tips for expat renovators

What are the hard-earned lessons Dorie and Bob learned during their project?

Dorie has talked to expat friends who have taken on renovation projects in other expat communities, including San Miguel de Allende, Mexico, and says what she’s learned could apply anywhere in Latin America.

First, understand your cultural and language limitations, and expect that they will present serious problems during your project. It will take patience and persistence and strong inter-personal skills to work your way through these.

Understand that building standards are different than what you were accustomed to back home. Also understand that materials and how they are used are different too. Again, communicating your vision of what you want is critical, and it is important to realize the workers, even architects, may not, at first, be able to envision what you want. Some locals respond to plans, some to photographs and some to verbal instructions, so it’s important you find the best way to communicate, especially to architects and contractors.

Plan to visit the construction site at least once a day. Mistakes will be made and the sooner they’re caught, the less expensive they will be to correct.

Although Ecuador has come a long way in reducing corruption, a small cash payoff can sometimes grease the skids in paperwork or inspection delays. Each expat restorer needs to follow his or her best sense in dealing with these situations.

Don’t start a project without a good guide, usually an architect. The permitting, hiring and working conditions can be overwhelming and you need a respected local to run interference for the project.

No matter how difficult the communications, or how large the conflicts, always show respect to the architect, contractor and the workers. This is crucial for resolving conflicts, correcting mistakes and ultimately, getting the end-product that you want.


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